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Nelly sued for at the very least $50m over allegedly not crediting former St. Lunatics bandmates on hit album Nation Grammar


US rapper Nelly has been sued by his former bandmates, the St. Lunatics, over a copyright dispute relating to a number of tracks from his hit album Nation Grammar, which was launched in 2000.

The criticism was filed by legal professionals in New York on Thursday (September 18) on behalf of Ali Jones (Ali), Torhi Harper (Murphy Lee), Robert Cleveland (Kyjuan) and Lavell Webb.

They’re looking for a jury trial plus “precise and compensatory damages suffered because of Defendants’ persevering with illegal, unlawful and infringing conduct in an quantity to be decided at trial, however that are in no occasion lower than $50 million.”

The plaintiffs declare to be “the authors, creators, composers, writers and copyright house owners of the lyrics to eight unique musical compositions” from Nation Grammar, together with Steal the Present; Thick Thick Woman, Nation Grammar; Wrap One thing/Sumden; Batter Up; Iz U; Go; and Gimmie What You Go.

In response to the St. Lunatics, these compositions “had been unlawfully utilized and/or exploited” by Nelly (actual identify Cornell Iral Haynes Jr) to create Nation Grammar.

The lawsuit, which you’ll be able to learn in full right here, explains that the St. Lunatics and Nelly had been childhood associates in St. Louis, Missouri and that in 1993, they fashioned a rap group referred to as the “St. Lunatics.”

In response to the lawsuit: “Whereas Defendant Haynes [Nelly] demonstrated appreciable expertise as performer and vocalist, he lacked the song-writing creativity possessed by the opposite members of the St. Lunatics”.

It provides that Nelly and his bandmates “labored diligently in making an attempt to get a foot maintain within the music business”. Between 1993 and 1997, Nelly and his former bandmates began performing and recording demos because the St. Lunatics.

“Throughout these years,” the lawsuit claims, Nelly’s bandmates “offered nearly all of the songwriting and lyrical compositions duties” for the group.

The lawsuit continues: “[Nelly] confirmed appreciable expertise in his lyrical supply of the songs written and organized by Plaintiffs. The St. Lunatics, via their songwriting, demo tapes and public performances, labored exhausting to realize the eye of assorted file firms within the music business in the hunt for a recording deal.

In 1997, the St. Lunatics launched their first single, Gimme What You Obtained, which they be aware turned “a business success” and gave them “a foothold within the hip-hop business.”

The criticism notes that the monitor acquired continued radio play, and file firms “started courting the St. Lunatics and expressed curiosity in signing them to a file deal.”

The criticism says that “within the 12 months 2000, Defendant UMG, through its wholly owned subsidiary Common Information, signed [Nelly] to a file deal. Additionally in 2000, Defendant UMG agreed to signal the St. Lunatics to a recording deal.”

Common Music Group and Common Music Publishing Group are among the many firms named as defendants within the swimsuit.


Nelly’s former bandmates clarify that his solo album “could be launched earlier than” the St. Lunatics first album, and they also “started writing the lyrics” to the disputed songs.

They declare that “at no time through the recording” of the album did Nelly “ever dispute” that the St. Lunatics “wrote and organized the lyrics contained within the unique compositions”.

Additionally they declare that Nelly, “in [a] video of their recording classes, freely admits that Plaintiffs had been, and are, the writers of the Unique Compositions contained within the Infringing Album”.


Nation Grammar was then launched in 2000 and have become a “large business success”, making Nelly “a licensed rap star”, the lawsuit notes.

The St. Lunatics declare that “through the recording, and subsequent distribution and sale”, of the album, Nelly “privately and publicly acknowledged that Plaintiffs had been the lyric writers for the Unique Compositions and promised to make sure that Plaintiffs acquired writing and publishing credit score for the Unique Compositions”.

The St. Lunatics add that, “counting on the guarantees made to them” by Nelly, they “continued to carry out reveals with [Nelly] each in his solo performances (as again up performers) and because the group St. Lunatics.”

Additionally they declare that they “repeatedly reached out to [Nelly] and/or his licensed representatives inquiring about their publishing and writers’ credit score” and that Nelly and his reps “repeatedly assured Plaintiffs that they’d obtain all of their publishing and writing credit score”.


The lawsuit continues: “Regardless of repeated assurances by Defendant Haynes that Plaintiffs would obtain their writing credit score and publishing earnings for creating the Unique Compositions, Plaintiffs, someday in 2020, ultimately found that Defendant Haynes had been mendacity to them the complete time.

“Plaintiffs ultimately found that not solely did they not obtain any credit score as authors and/or creators of the Unique Compositions, however that Defendant Haynes, and others, took full credit score for creating the Unique Compositions contained within the Infringing Album.

“Not solely did Defendant Haynes fraudulently symbolize to others that he was a author and/or creator of the Unique Compositions, he additionally, upon info and perception, allowed different people inside his circle to obtain credit score and publishing earnings for songs written by Plaintiffs.”

The St. Lunatics declare that each time they confronted Nelly about their publishing credit score and earnings, he “would guarantee them as ‘associates’ he would by no means forestall them from receiving the monetary success they had been entitled to as writers of the Unique Compositions”.

The added nevertheless that, “moderately believing that their good friend and former band member would by no means steal credit score for writing the Unique Compositions,’ they “didn’t initially pursue any authorized cures and believed [Nelly] would make good on his promise” to make sure the St. Lunatics had been correctly credited.Music Enterprise Worldwide

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