Academy Award-nominated director Todd Phillips and his new sequel Joker: Folie à Deux bravely ask the daring query: What if probably the most annoying man received an equally annoying girlfriend? And what in the event that they sang present tunes to one another? And what for those who needed to watch?
The person in query is one Arthur Fleck (Joaquin Phoenix), the social outcast turned serial killer from 2019’s Joker, who’s in jail awaiting trial following the occasions of the primary movie. The girlfriend is one Harley Quinn (Woman Gaga), a girl with each a grasp’s in psychiatry and an obsession with Fleck, who will get herself locked up as a way to stalk him higher. Harley Quinn and Joker’s toxically codependent relationship has existed within the Batverse for many years — first showing in Batman: The Animated Series in 1992 — and the previous physician and the one-time affected person who drove her mad have been explored throughout comics, films, and TV. In Phillips’s new movie, nonetheless, their entanglement is rewritten to be much more grim and, frankly, flat (particularly Quinn’s arc), however with much more singing.
Sure, although he’s loath to inform anybody, Phillips has additionally managed to make a film musical in regards to the Joker’s homicide trial. On paper, making a supervillain film that doesn’t contain setting a metropolis on fireplace or threatening the world is about as subversive as a director can get. Probably ignoring the strict directives that include franchise filmmaking and the calls for of Warner Brothers after which throwing in singing and dancing? There was potential right here for one thing really subversive.
However as Fleck reminds us, some folks don’t search change, however easy distress. For 2 hours and 20 minutes of Joker: Folie à Deux, Phillips reveals us how.
Don’t be fooled, Joker 2 is definitely a musical
Following a development of flicks like Imply Women and Wonka, the advertising and inventive group behind Joker: Folie à Deux, a.ok.a. Joker 2, have refrained from making it clear the film is a musical (a selection the upcoming Depraved additionally appears to be making). A few of that obfuscation may be a aware effort to not alienate Joker’s unique viewers, however it could even be based mostly on the notion that movie-going audiences don’t like musicals. Imply Women and Wonka didn’t promote themselves as musicals, they usually had been thought-about field workplace successes — in the meantime apparent musicals just like the West Aspect Story revival and Within the Heights underwhelmed.
That mentioned, and regardless of the reluctance, Joker 2 could be very a lot a film musical — at instances attempting to be a really edgy one.
Phillips makes use of music as a really apparent storytelling machine, if not a really delicate one. All through the movie, Fleck’s sanity is in query. Everybody from judges to docs discuss him residing in a “fantasy world.” Enter: the singing and dancing. From “Get Glad” to the Carpenters’ “Near You,” the film’s numbers perform as a glimpse into Fleck’s wishes, fears, and psychological sickness all rolled into one.
One can solely know the surreal inside lifetime of this man by peering into his delirious hallucinations, the place we discover a sparkly, razzle-dazzle model of his trauma and psychological sickness.
These moments additionally permit Woman Gaga to take off her pop star masks and present us Stefani Germanotta, theater child. She’s good — particularly when Fleck envisions himself and Harley as a sort of chaotic Sonny and Cher duo. Gaga’s dedicated, crackling efficiency is proof there’s room for one more Judy Garland biopic, so long as she will audition.
Phoenix, then again, warbles and screeches by way of his numbers.
The consequence feels like an enormous chook harassing one other smaller chook. Phoenix’s vocal efficiency is knowingly unhealthy, particularly when you think about this man gained an Oscar for taking part in Johnny Money in Stroll the Line. Maybe Phillips believes that his viewers wouldn’t be capable of absolutely comprehend how disturbed Fleck is that if he sounds easy and pleasant in his personal fantasies, however Phoenix intentionally makes him sound discordant. After three or so songs, the singing simply feels slightly like some sort of petty punishment. I suppose that’s the purpose: Being in Joker’s head is meant to be an disagreeable expertise. I simply needed to be unpleased differently.
Think about for those who took all of the enjoyable out of My Cousin Vinny, then you may have Joker 2
Probably the most perplexing ingredient of Joker 2 just isn’t that it’s a musical; it’s that it’s a courtroom procedural. Whereas there’s a wealthy cinematic historical past of clowns and their girlfriends in courtrooms, this isn’t a selection that makes for an thrilling movie.
On the coronary heart of this two-hour and 20-minute film is the query of whether or not or not Arthur Fleck, a.ok.a Joker, is insane and, by extension, if the Joker is actual. His legal professional (performed by Catherine Keener) claims as a protection technique that whereas Fleck did kill 5 folks, he has dissociative id dysfunction (DID), previously often called a number of character dysfunction. (The police don’t know Fleck killed his personal mom, which might convey the physique rely to 6.) Joker is that different character, and so Fleck can’t be held accountable. Prosecutor Harvey Dent (Harry Lawtey) — the person who will change into the Batman villain often called Two-Face — argues that Fleck and Joker are one and the identical: a violently wicked assassin.
Watching Fleck in jail ready for trial or on trial ready to return to jail simply doesn’t make for thrilling viewing. Dissociative id dysfunction as a authorized argument is form of compelling however much less so when it turns into all that’s occurring. (It’s additionally necessary to notice that regardless of some media portrayals, folks with DID should not extra violent than most of the people.) Courtroom procedurals want some sort of twist or some sort of construct to reinforce the drama. Beginning with all of the playing cards on the desk — Arthur Fleck is culpable for Joker or he isn’t — simply takes the air out of the style.
Perhaps that’s why it’s a musical?
As a personality who has been an icon for the reason that Sixties, the Joker was created to terrorize Gotham Metropolis. The Joker was not created to sit down in a jail cell and discuss authorized technique along with his lawyer. There’s a motive that so many Batman comics and diversifications have a jailbreak scene. Batman’s villains are extra fascinating after they’re doing crime!
Phillips appears to wish to make an even bigger level about how probably the most terrifying a part of the character is Joker’s affect over Gotham’s residents. If Fleck is allowed to be Joker, then what’s stopping everybody else within the metropolis from being Joker? If Fleck is said legally insane, how can the legal guidelines in Gotham hold folks protected? If nobody may be held accountable for homicide, it doesn’t matter how highly effective Gotham’s police pressure is; it doesn’t even matter how highly effective its heroes are. However aside from the large crowds outdoors of the courtroom, some in Joker masks, Phillips doesn’t actually present us what’s occurring in Gotham. We aren’t actually made to know the stakes for Joker’s verdict, even when they’re the destruction of a civilized society.
Worst of all, Phillips has deliberately or unintentionally created a bizarro, humorless model of My Cousin Vinny. Within the 1992 traditional, a clown and his Italian girlfriend are the one folks that stand in the best way of a mixed-up city convicting a pair of dweebs of homicide. In Joker 2, a clown and his Italian-ish girlfriend are the one folks that stand in the best way of a mixed-up city convicting a dweeb of homicide. Now, think about if Marisa Tomei wasn’t charming, the clown wasn’t humorous, and there have been no twists, no turns, and no 1963 Pontiac Tempest with its impartial rear suspension. Your honor, that dour, depressing factor is The Joker 2.
